Week
2 Everyone!
This
week was great. We keep getting more and
more of Locke’s background, which is another way of saying it's just getting better and
better. For whatever reason, most of my answers this week contain
predictions. This week I was able to
correctly predict that it was a Gentleman Bastard who snuck into Don Salvara’s
room and told him to cooperate with The Thorn of Camorr. Maybe this read along is helping me to
realize my latent soothsaying talents?
Cool.
1)
Do you think Locke can pull off his scheme of playing a Midnighter who is
working with Don Salvara to capture the Thorn of Camorr? I mean, he is now
playing two roles in this game - and thank goodness for that costume room the
Gentlemen Bastards have!
Honestly.
If everything works perfectly for him, I’m not sure it would be much of
a book. I don’t think whatever trouble
he has will result from too many roles or schemes running at once though. It seems clear though that when the other
Gentleman Bastards are warning him so strongly it must be setting something up. Then, of course, we all remember that if
there is one thing that Locke has a history of, it is not being
circumspect. This seems like a perfect
time for those old tendencies to come bubbling to the surface.
2) Are you digging the detail the author has put into the alcoholic drinks in this story?
Most of the beverages sound like they would burn
the hairs from my chest and kill me. Am
I excited about that? YES J
3) Who is this mysterious lady Gentlemen Bastard Sabetha and what does she mean to Locke?
Well, I don’t really know but it sounds like Locke
has some pretty strong feelings. I find this kind of weird and I haven’t really
been thinking about it much because Locke is not a very sexualized character
but Nazca alluded to Sabetha being the only woman Locke will ever love. Oh well, I guess we’ll be finding out
sometime and maybe he just loves her like a sister? Doubt it though.
4) Are you as creeped out over the use of Wraithstone to create Gentled animals as I am?
I have been creeped out by so much in this book
that I guess I’m already becoming inured to the terrible things that happen
there. What I did like was the way that that
Lynch introduced gentled animals early in the book with just enough information
to get a vague sense of what they were until he finally explained them in all
their horrible glory.
5) I got a kick out of child Locke's first meeting with Capa Barsavi and his daughter Nazca, which was shortly followed up in the story by Barsavi granting adult Locke permission to court his daughter! Where do you think that will lead? Can you see these two together?
I hadn’t thought about this much, but now that
you bring it up… I think the easy assurance from Nazca could be hinting at some
future problems there… Perhaps they’ll
actually fall in love, just before Sabetha returns and Locke will be caught
between two loves? Whatever happens, it
will assuredly not be good.
6) Capa Barsavi is freaked out over rumors of The Gray King and, in fact, us readers are privy to a gruesome torture scene. The Gray King is knocking garristas off left and right. What do you think that means?
Well, either Lynch is demonstrating that Barsavi
is not all that competent or brave a leader, or Barsavi is savvy to some
information that we are not…likely he has reason to believe The Gray King is
one of his own?
7) In the Interlude: The Boy Who Cried for a Corpse, we learn that Father Chains owes an alchemist a favor, and that favor is a fresh corpse. He sets the boys to figuring out how to provide one, and they can't 'create' the corpse themselves. How did you like Locke's solution to this conundrum?
I was really surprised by how simple and
straight-forward his solution was. I did
laugh nearly hysterically when Father Chains asked what had happened to cause
everyone to throw money at him. Probably
not safe to drive while laughing so hard…
I feel the same way about the drinks. I don't need a hairy chest anyways.
ReplyDeleteHaha! Who does though? Maybe Burt Reynolds...
DeleteI think you'd probably have no skin on the roof of your mouth and your eyebrows may also fall out!
ReplyDeleteI was really surprised by Locke's solution to the corpse dilema. I was expecting something much more convoluted than simply asking for a dead body! But then I figured we're still reading 'young' Locke so I suppose he wasn't quite as sophisticated at that point (a diamond in the rough) and I did like his little touch of recovering costs!
Lynn :D
Maybe that's part of Locke's genius - knowing when to go nuts and when to play it straight.
Delete